DELIBAM: Deliberate Ambiguity

    From The Encyclopedia of Arabic Rhetoric

    الإبهام
    DELIBAM: Deliberate Ambiguity
    CategoryLinguistic Embellishments
    (‘ilm al-badī‘)
    SubcategoryIndirectness & Ambiguity
      
    Balagha-Corpus.com
    Corpus dataSee examples
      
    Balaghascore.com
    CodeCA-3
      
    BalaghaBase.org
    CodeQ76
      
    OpenAlex
    IDW4415372171
      
    Cite this page
    🔗 DOI10.64393/balagha.Q76
     Download PDF
      
    Taxonomy
    ARDTv0.1.0, v0.1.1

    Definition

    Deliberate Ambiguity (al-ibhām) is an Arabic rhetorical device in which the communicator intentionally produces speech that admits two possible meanings whose intended direction is left unclear.[1][2]

    Nāṣif et al. (2012) specify that the two meanings must be contradictory or opposing (mutaḍādayn).[2] ʿAkkāwī (1996), following Ibn Abī al-Iṣbaʿ, does not impose this restriction, requiring only that the two meanings be indistinguishable from one another.[1] It occurs only in useful compound sentences (al-jumal al-muʾtalifa al-mufīda), not in single words.[1]

    The device occurs across a range of genres, including praise (al-madḥ), blame (al-hijāʾ), apology (al-iʿtidhār), reproach (al-ʿitāb), and boasting (al-fakhr).[1]

    Mechanism

    • It consists in the speaker producing speech that admits two meanings where the context does not allow the listener to distinguish which meaning is intended, and the speaker does so deliberately (yaqṣudu ibhām al-amr fīhimā qaṣdan).[1]

    Recognition

    Deliberate Ambiguity may be present when:

    • Speech admits two meanings that cannot be distinguished from one another by the listener.[1]
    • The ambiguity is deliberate on the part of the speaker, not accidental.[1]
    • The speech is a useful compound sentence, not a single word.[1]
    • The two meanings are contradictory or opposing — in the narrower formulation of Ḥafnī Nāṣif et al. (2012).[2]

    Diagnostic Rhetorical Effects

    • When the intended meaning is recoverable from within the speech, the device produces wonder and magnificence in the listener.[1]
    • It produces fluency (al-riqqa), naturalness (al-suhūla), and cohesion (al-insijām) in well-executed instances.[1]
    • It captivates the hearts of the audience (ʿaṭf al-qulūb).[1]
    • According to al-ʿAlawī (as cited in ʿAkkāwī, 1996), when the intended meaning appears within the speech, the device adds wonder (iʿjāban) and magnificence (fakhāma) to the listener.[1]

    Applying the Recognition Framework

    The information on this page can be used to evaluate whether this device is present in a candidate lexical item using the Specific Device Recognition part of the Universal Framework for Identifying Arabic Rhetorical Devices:

    • Use the Definition, Mechanism, and Recognition sections of this page in Step 1.
    • Apply the substitution test in Step 2.
    • Consider contextual indicators in Step 3.
    • Use the Diagnostic Rhetorical Effects section of this page in Step 4.

    Examples

    Source Example

    بَارَكَ اللهُ لِلْحَسَنْ — وَلِبُورَانَ فِي الخَتَنْ — يَا إِمَامَ الهُدَى ظَفِرْتَ — وَلَكِنْ بِبِنْتِ مَنْ؟

    May God bless al-Ḥasan — and Būrān in the marriage — O Imam of Guidance, you have prevailed — but the daughter of whom?

    Explanation
    This poem was composed by Muḥammad ibn Ḥāzim al-Bāhilī on the occasion of the Caliph al-Maʾmūn's marriage to his daughter Būrān. The phrase bint man (“the daughter of whom?”) admits two mutually valid interpretations: it may be praise by way of greatness, or censure by way of lowness of origin. Al-Maʾmūn himself is reported to have said: “By God, we do not know whether he intended good or ill.” When asked, the poet replied: “By God, nor do I know.”[2][1]
    Source Example

    فَمَا لَكَ تُغْنِي بِالأَسِنَّةِ وَالقَنَا — وَجَدُّكَ طَعَّانٌ بِسَغْبَيْرِ سِنَانِ

    What makes you sing of spears and lances — when your grandfather was a stabber with a blunt spear-tip?

    Explanation
    Ibn al-Athīr, as cited by ʿAkkāwī (1996), interprets the apparent praise as masking censure.[1]
    Source Example

    لَيْتَ المَنِيَّةَ حَالَتْ دُونَ نَصْحِكَ لِي — فَيَسْتَرِيحَ كِلَانَا مِنْ أَذَى التُّهَمِ

    Would that death had stood between me and your counsel — so that both of us might rest from the harm of accusation.

    Explanation
    This verse by Ṣafī al-Dīn al-Ḥillī was cited in ʿAkkāwī (1996). The ambiguity lies in the phrase yastarīḥa kilānā (“both of us might rest”).[1]
    Constructed Example

    سَأَذْكُرُكَ دَائِمًا بِخَيْرٍ — فَكَيفَ يَنْسَى المَرْءُ مَن أَذَاقَهُ مَا أَذَاقَهُ؟

    I shall always remember you well — for how could one forget someone who made him taste what he made him taste?

    Explanation
    The ambiguity resides in the phrase adhāqahu mā adhāqahu}}. The opening declaration of fond remembrance (saʾadhkuruka dāʾiman bi-khayr) sits in unresolvable tension with the rhetorical question that follows: "making someone taste something" may denote either profound blessing or bitter harm. The listener cannot determine whether the speaker intends gratitude or reproach, and the speaker's intent is withheld by design.

    Different From

    • Pun (al-tawriya): ʿAkkāwī (1996) explicitly distinguishes Deliberate Ambiguity from Pun. In Deliberate Ambiguity, the listener cannot determine which of two possible meanings is intended. It specifically requires two opposite meanings to remain intended and in deliberate tension. In Pun - which plays on multiple meanings for wit or humour - one meaning is near and apparent while another more remote rhetorical meaning is intended.[1]

    Notes

    • ʿAkkāwī (1996) attributes the formal articulation of the device to Ibn Abī al-Iṣbaʿ.[1]
    • The term al-ibhām derives from the verb abhama, meaning to render obscure or to make a matter unclear.[1]
    • ʿAkkāwī (1996) describes this as one of the finest rhetorical moulds (aḥsan al-qawālib).[1]

    References

    1. a b c d e f g h i j k l m n o p q r s Inʿām Fawwāl ʿAkkāwī, Al-Muʿjam al-Mufaṣṣal fī ʿUlūm al-Balāgha: Al-Badīʿ wa-al-Bayān wa-al-Maʿānī (Beirut: Dār al-Kutub al-ʿIlmiyya, 1996), 21-23.
    2. a b c d Ḥafnī Nāṣif, Muḥammad Diyāb, Sultan Muḥammad and Muṣṭafā Ṭammām, Durūs al-Balāgha (Beirut: Dār Ibn Ḥazm, 2012), 106, ISBN 9786144162798.



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