FANCIFL: Fanciful Causation

    From The Encyclopedia of Arabic Rhetoric

    حسن التعليل
    FANCIFL: Fanciful Causation
    CategoryLinguistic Embellishments
    (‘ilm al-badī‘)
    SubcategoryPersuasive Tricks
      
    Balaghascore.com
    CodeCE-16
      
    BalaghaBase.org
    CodeQ111
      
    OpenAlex
    IDW4415405257
      
    Cite this page
    🔗 DOI10.64393/balagha.Q111
     Download PDF
      
    Taxonomy
    ARDTv0.1.0, v0.1.1

    Definition

    Fanciful Causation (ḥusn al-taʿlīl) is an Arabic rhetorical device where the communicator — explicitly or implicitly — denies the known cause of a described attribute and instead claims (yaddaʿī) an alternative cause that is not factually true, but is elegant, surprising, and suited to the communicative purpose.[1][2][3][4]

    The device applies in two scenarios: (a) a described attribute has no real cause at all, and the poet assigns one; or (b) a described attribute has a real and known cause, which the communicator sets aside in favour of a more fitting invented one.[1][4]

    The invented cause must be iddīʿāʾiyya: asserted as an explanation rather than stated as fact.[1] It must possess elegance and wit (ṭarāfa) and suit the poet's intended purpose (al-gharaḍ alladhī yarmī ilayhi).[1][2][4]

    Mechanism

    • A described attribute (waṣf) is the starting point: the attribute may be an established observable fact, or a quality the poet wishes to assert.[1]
    • The communicator either explicitly rejects the real or known cause, or simply bypasses it by proceeding directly to the invented one — al-Hāshimī (2019) and Abdul-Raof (2006) both specify that the denial may be explicit (ṣarāḥatan) or implicit (ḍimnan).[1][3]
    • A new cause is claimed (yaddaʿī) as a genuine explanation: the invented cause is presented assertively, not as a simile or image.[1][2]
    • The invented cause must be iddīʿāʾiyya: claimed rather than real, but characterised by elegance (ṭarāfa) and subtlety of observation (diqqa al-naẓar), such that it serves the intended rhetorical purpose.[1]
    • The invented cause must suit the communicator's intended purpose (al-gharaḍ alladhī yarmī ilayhi).[1]

    In this encyclopedia, the mechanism is understood as follows. Two distinct characteristics — gharāba (unexpectedness), which appears in Ḥafnī Nāṣif et al. (2012),[2] and diqqa al-naẓar (subtlety of observation), which appears in al-Hāshimī (2019)[1] — are each attested separately in different sources as properties of the invented cause. They are presented here as complementary features without being merged into a single definition-level criterion.

    Recognition

    Fanciful Causation may be present when:

    • A described attribute (waṣf) — whether an established observable fact or an asserted quality — is accompanied by a causal explanation.[1]
    • That explanation is asserted (yaddaʿī) rather than offered as a comparison, and is recognisably non-real.[1][2]
    • The known or expected cause is either explicitly denied or simply bypassed.[1][3]

    The following diagnostic tests aid identification:

    • Test 1 — The cause-replacement test: Can you identify both a real/expected cause and a fictitious alternative cause being asserted? If only one cause is present, the device is absent.
    • Test 2 — The assertion test: Is the alternative cause stated as a genuine explanation (because X), rather than presented as a simile (as if X) or an image? Fanciful Causation requires assertion, not comparison.
    • Test 3 — The elegance test: Does the invented cause possess wit, elegance, or contextual fitness beyond mere implausibility? A random false cause is not sufficient; it must serve the communicative purpose.

    Diagnostic Rhetorical Effects

    • The intended meaning gains beauty and nobility (jamāl wa-sharaf): al-Hāshimī (2019) states that through the device the intended meaning increases in beauty and nobility.[1]
    • Wit and pleasantry (taẓarruf wa-tafakkuh): ʿAbbās (2007) grounds the device explicitly in wit and pleasantry, noting that it requires acuity (fiṭna) and quick-wittedness (badīha).[4]
    • Elegance and exaggeration (ṭarāfa wa-mubālagha): Ḥafnī Nāṣif et al. (2012) identify these as the characteristic qualities of the invented cause.[2]

    ʿAbbās (2007) notes that while the device is grounded in exaggeration (mubālagha), some instances — such as explaining an earthquake by a patron's justice or rain's absence by shame before a patron's generosity — border on contrivance and artificiality (takalluf wa-taṣannaʿ).[4] This critical note is ʿAbbās's own observation and is not echoed in the other sources.

    Applying the Recognition Framework

    The information on this page can be used to evaluate whether this device is present in a candidate lexical item using the Specific Device Recognition part of the Universal Framework for Identifying Arabic Rhetorical Devices:

    • Use the Definition, Mechanism, and Recognition sections of this page in Step 1.
    • Apply the substitution test in Step 2.
    • Consider contextual indicators in Step 3.
    • Use the Diagnostic Rhetorical Effects section of this page in Step 4.

    Types of Fanciful Causation

    Al-Hāshimī (2019) distinguishes four forms of ḥusn al-taʿlīl based on the nature of the described attribute.[1] This taxonomy is not found in the other sources consulted.

    Type 1: Established attribute with a non-apparent cause

    The attribute is an observable fact, but its real cause is not obvious, so the poet proposes an invented one.[1]

    Source Example

    بَيْنَ السُّيُوفِ وَعَيْنَيْهَا مُشَارَكَةٌ     مِنْ أَجْلِهَا قِيلَ لِلْأَجْفَانِ أَجْفَانُ

    Between swords and her eyes there is a partnership — it is on account of this that eyelids (ajfān) came to be called ajfān.

    Explanation
    The real cause of the word ajfān sharing its form with the word for sword-sheaths is not apparent; the poet invents a cause — a deadly partnership between swords and the beloved's eyes — and asserts it as the explanation.[1]
    Source Example

    زَعَمَ البَنَفْسَجُ أَنَّهُ كَعِذَارِهِ     حُسْنًا، فَسَلُّوا مِنْ قَفَاهُ لِسَانَهُ

    The violet claimed it rivalled his cheek-down in beauty — so they drew out its tongue from the back of its head.

    Explanation
    The backward curling of the violet's leaves is an established observable fact with no obvious cause. The poet invents a cause: the violet slandered the beloved, and its tongue was pulled out from behind as punishment.[1]
    Constructed Example

    مَا اصْفَرَّتِ الأَوْرَاقُ فِي الخَرِيفِ لِبُرُودَةِ الهَوَاءِ،     بَلْ حَزَنًا عَلَى فِرَاقِ الصَّيْفِ

    The leaves did not turn yellow in autumn because of the cold — rather, out of grief at the departure of summer.

    Explanation
    The yellowing of leaves in autumn is an observable fact whose real cause (temperature and reduced light) is not prominent in everyday perception. The communicator sets this aside and claims an invented cause — grief at summer's departure — which is elegantly suited to an elegiac or nostalgic purpose.

    Type 2. Established attribute with a known real cause (replaced)

    The attribute is an established fact and its real cause is well known, but the communicator sets the real cause aside and substitutes an invented one.[1]

    Source Example

    مَا بِهِ قَتْلُ أَعَادِيهِ وَلَكِنْ     يَتَّقِي إِخْلَافَ مَا تَرْجُو الذِّئَابُ

    It is not that he kills his enemies for the usual reason — rather, he does not want to disappoint the wolves.

    Explanation
    The killing of enemies by a ruler is an established fact with a well-known real cause (self-preservation, power). Al-Mutanabbī sets this aside and substitutes a fanciful cause: the ruler kills only so as not to deprive the wolves of the feast they anticipate. This reframes slaughter as an act of innate generosity.[3][1][4]
    Source Example

    وَمَا كَلَفَةُ البَدْرِ المُنِيرِ قَدِيمَةٌ     وَلَكِنَّهَا فِي وَجْهِهِ أَثَرُ اللَّطْمِ

    The spot on the shining moon is not ancient — rather, it is upon its face a trace of slapping in grief.

    Explanation
    Al-Maʿarrī explicitly denies the natural, ancient cause of the moon's markings and replaces it with a cause drawn from grief: the moon has been slapping its own face in mourning for the deceased. The grief felt for the elegised person is so cosmic that even the moon bears its physical trace.[3][1][4]
    Constructed Example

    مَا غَرَدَ البُلْبُلُ شَوْقًا إِلَى الأَنْثَى،     بَلْ لِأَنَّ الوَرْدَ يَسْتَحِي أَنْ يَتَفَتَّحَ وَحْدَهُ بِلَا مَنْ يُعْلِنُ جَمَالَهُ

    The nightingale did not sing out of longing for its mate — rather, because the rose is too shy to bloom alone without someone to proclaim its beauty.

    Explanation
    The nightingale's song has a well-known natural cause. The communicator explicitly denies it and substitutes an invented cause — the rose's shyness — which reframes the bird's song as an act of service to the rose, suited to a panegyric or celebratory purpose.

    Type 3: Non-established attribute that is possible

    A quality is attributed to a subject that is not real, but is at least conceivable; a fanciful cause supports it.[1]

    Source Example

    يَا وَاشِيًا حَسُنَتْ فِينَا إِسَاءَتُهُ     نَجَّى حَذَارُكَ إِنْسَانِي مِنَ الغَرَقِ

    O slanderer, how welcome your harm has been — your threat saved the pupil of my eye from drowning.

    Explanation
    The claim that a slanderer's harm was welcome is unusual, but conceivable. The poet provides an invented causal explanation: fear of the slanderer prevented weeping, and thus saved the pupil of the eye from drowning in tears. The unusual attribution is supported by the fanciful cause.[1]
    Constructed Example

    مَا تَأَخَّرَ القِطَارُ بِسَبَبِ عَطَلٍ فَنِّيٍّ،     بَلْ لِأَنَّهُ أَبَى أَنْ يُوَدِّعَ المَحَطَّةَ قَبْلَ أَنْ تَرْحَلَ أَنْتَ

    The train was not delayed because of a technical fault — rather, because it refused to leave the station before you did.

    Explanation
    A train's reluctance to depart is not a real attribute, but it is a conceivable one within poetic logic. The real cause (mechanical delay) is set aside, and an invented cause is claimed — the train's attachment to the addressee — which is possible enough to sustain the conceit and suits an affectionate or intimate address.

    Type 4: Non-established attribute that is impossible

    An impossible quality is attributed, and a correspondingly impossible but imaginative cause is asserted.[1]

    Source Example

    لَوْ لَمْ تَكُنْ نِيَّةُ الجَوْزَاءِ خِدْمَتَهُ     لَمَا رَأَيْتَ عَلَيْهَا عِقْدَ مُنْتَطِقِ

    Had Orion not intended to serve him, you would not see upon it the belt of one girded for service.

    Explanation
    The intention of a constellation to serve a human being is impossible. Al-Qazwīnī nonetheless asserts it, and supports it with an equally impossible but imaginative cause: the stars surrounding Orion are a belt (niṭāq) that it has girded around itself in readiness for the praised one's service, as servants do.[2][1]

    Constructed Example

    مَا طَلَعَتِ الشَّمْسُ كُلَّ صَبَاحٍ لِتُنِيرَ العَالَمَ،     بَلْ لِتَرَاكَ قَبْلَ أَنْ يَغْمُرَكَ النَّهَارُ

    The sun does not rise each morning to illuminate the world — rather, to see you before the day engulfs you.

    Explanation
    The sun's intention to see a specific person is impossible. The communicator nonetheless attributes this intention to the sun and claims it as the cause of sunrise — an impossible but imaginative construction suited to panegyric or lyric praise.

    Note on explicit and implicit denial

    In all four subtypes, the rejection of the real cause may be explicit — directly stated in the text — or implicit, inferred from the very act of asserting the alternative cause. Al-Hāshimī (2019) and Abdul-Raof (2006) both specify this distinction.[1][3]

    Different From

    • Hyperbole (مبالغة) — exaggerates the degree of something; حسن التعليل reassigns its cause. The two may co-occur, but are analytically distinct.
    • Metaphor (استعارة) — attribute qualities or identities through resemblance or substitution. حسن التعليل instead asserts a specific causal explanation. The test is whether the statement explains why something occurs (حسن التعليل) or merely describes it figuratively (استعارة).

    Notes

    • iddīʿāʾiyya: Al-Hāshimī (2019) specifies that the invented cause must be iddīʿāʾiyya — i.e., asserted as an explanation rather than stated as a fact. This distinguishes the device from straightforward falsehood or description.[1]

    References

    1. a b c d e f g h i j k l m n o p q r s t u v w x y z aa Aḥmad al-Hāshimī, Jawāhir al-Balāgha fī al-Maʿānī wa-al-Bayān wa-al-Badīʿ (Windsor: Hindāwī Foundation, 2019), 369-371, ISBN 9781527316386.
    2. a b c d e f g Ḥafnī Nāṣif, Muḥammad Diyāb, Sultan Muḥammad and Muṣṭafā Ṭammām, Durūs al-Balāgha (Beirut: Dār Ibn Ḥazm, 2012), 115, ISBN 9786144162798.
    3. a b c d e f Hussein Abdul-Raof, Arabic Rhetoric: A Pragmatic Analysis (Oxford: Routledge, 2006), 248, ISBN 9780415386098. DOI: 10.4324/9780203965399
    4. a b c d e f g Faḍl Ḥasan ʿAbbās, Al-Balāgha: Funūnuhā wa-Afnānuhā - ʿIlm al-Bayān wa-al-Badīʿ (Amman: Dār al-Furqān lil-Nashr wa-al-Tawzīʿ, 2007), 286-290.



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